Mr. Sachin Verma, Asst. Prof
NIFT, Raebareli

This Graduation Project explores fashion styling and creative direction as a form of visual storytelling. Sparsh Poarasher’s work spans celebrity styling, editorial productions, fashion campaigns, runway showcases, and red-carpet projects. The project focuses on mood-board development, look conceptualization, fashion coordination, garment curation, trend research, styling execution, shoot coordination, and visual communication. It draws on experiences with personalities and fashion labels, demonstrating a contemporary approach to creating impactful fashion imagery through collaboration, aesthetic planning, and narrative-driven styling for visual contexts today.

This Graduation Project was undertaken by Sparsh Poarasher, a student of the Department of Fashion Communication at NIFT Raebareli, in 2026. The project is classified as a Graduation Project (GP). The supplied project material does not specify a faculty mentor, so no mentor name is added here. The project explores fashion styling and creative direction as a means of creating visual narratives that communicate personality, culture, and emotion.
The work covers celebrity styling, editorial productions, fashion campaigns, runway presentations, and red-carpet projects. It demonstrates experience in mood-board development, look conceptualization, fashion coordination, talent management, editorial production, garment curation, trend research, styling execution, visual storytelling, and shoot coordination. The documented professional exposure includes styling projects involving Vidya Balan, Kubbra Sait, Babil Khan, Uorfi Javed, Shilpa Shetty, and Kalyani Priyadarshan.

The project also references campaigns associated with Abu Jani Sandeep Khosla, Falguni Shane Peacock, Kimora, Line Outline, and Gopi Vaid. Through these experiences, Sparsh developed skills in trend research, mood boarding, look planning, styling execution, and collaborative production. The project presents fashion imagery as a combination of creativity, coordination, and communication, with an emphasis on contemporary aesthetics and meaningful connections with audiences.
It positions styling as practice linking image, identity, and audience.